Listing 1 - 10 of 10 |
Sort by
|
Choose an application
CDL --- 791.41 --- Motion pictures --- Space and time in motion pictures --- Philosophy --- Cinema --- Criticism
Choose an application
Philosophical anthropology --- Film --- Sociology of culture --- CDL --- 791.41 --- Motion picture audiences --- Motion pictures --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Social aspects --- Audiences
Choose an application
propos recueillis par Régis Debray ; édition établie sous la direction de Christian Delage --- film --- Frankrijk --- Daney Serge --- filmkritiek --- nouvelle vague --- 791.41 --- 791.43 --- filmtheorie --- twintigste eeuw
Choose an application
Film --- film --- homemovie --- super8 --- #SBIB:309H1323 --- #SBIB:309H1326 --- #SBIB:THNR --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- CDL --- 791.41
Choose an application
Film --- postkoloniale film --- actiefilms --- New Hollywood --- Oost-Azië --- melodrama's --- misdaadfilms --- horrorfilms --- filmgeschiedenis --- Motion pictures. --- Motion pictures --- 791.41 --- 791.43 --- auteurtheorie --- Bazin André --- Duitsland --- experimentele film --- expressionisme --- feminisme --- film --- film en politiek --- film en psychoanalyse --- filmgenres --- filmindustrie --- filmkritiek --- film noir --- filmproductie --- filmsterren --- filmtheorie --- gender studies --- Groot-Brittannië --- India --- Italië --- Japan --- musicals --- narratologie --- naslagwerk --- neorealisme --- nouvelle vague --- poststructuralisme --- psychoanalyse --- regisseurs --- Rusland --- sciencefiction --- Sovjet-Unie --- structuralisme --- westerns --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
Choose an application
#SBIB:309H500 --- #SBIB:309H520 --- film --- geluid --- filmklank --- filmtheorie --- filmtechniek --- 791.41 --- CDL --- Motion pictures --- -Motion pictures --- -Sound motion pictures --- Moving-pictures, Talking --- Talkies --- Talking motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- De theoretische benadering van code en boodschap: algemene werken --- Audiovisuele communicatie: algemene werken --- Aesthetics --- Sound effects --- History and criticism --- Sound motion pictures. --- Films sonores --- Cinéma --- Sound effects. --- Aesthetics. --- Son --- Esthétique --- CINEMA --- SON
Choose an application
This book revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term genre has different meanings for different groups.
Film --- Rick Altman --- genre --- genres --- filmgenres --- genretheorie --- literatuurtheorie --- musicals --- westerns --- biopics --- Silver Joel --- Hollywood --- 791.41 --- Film genres --- Film genres. --- Genres cinématographiques --- Genres cinématographiques --- Altman, Rick --- filmgenre --- filmtechnieken --- #SBIB:309H1326 --- Genre films --- Genres, Film --- Motion picture genres --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Motion pictures --- Plots, themes, etc. --- #SBIB:033.AANKOOP --- Philosophie et cinéma --- Théorie du cinéma --- Films de série B --- Histoire et critique --- Genres cinématographiques. --- Philosophie et cinéma. --- Théorie du cinéma. --- Histoire et critique. --- 798.3 --- fifties --- film --- filmanalyse --- film, esthetiek en kritiek --- filmtheorie --- CDL
Choose an application
Suspensions of Perception Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception -- in psychology, philosophy, neurology, early cinema, and photography.
Attention. --- Perception --- Selectivity (Psychology) --- Subjectivity --- Subjectivism --- Knowledge, Theory of --- Relativity --- Attention, Selective --- Selective attention --- Selective perception --- Cognition --- Human information processing --- Supraliminal perception --- Apperception --- Senses and sensation --- Thought and thinking --- Concentration (Psychology) --- Flow (Psychology) --- Arousal (Physiology) --- Educational psychology --- Memory --- Psychology --- Distraction (Psychology) --- Executive functions (Neuropsychology) --- Interest (Psychology) --- Affective and dynamic functions --- Attention --- 130.2 --- 7.01 --- 7.035 --- 791.41 --- akoestiek --- beweging --- CDL --- Cézanne Paul --- cultuurfilosofie --- cultuurgeschiedenis --- film --- illusionisme --- kleurenleer --- kunst --- kunsttheorie --- licht --- Manet Edouard --- negentiende eeuw --- panorama's --- perceptie --- precinema --- psychologie --- Seurat Georges --- voorgeschiedenis film --- waarneming --- waarnemingspsychologie --- Perception. --- Selectivity (Psychology). --- Subjectivity. --- Choice Behavior --- ARTS/General
Choose an application
Cinema Cinema examines the work of 11 artists whose work incorporates aspects of the cinematic experience: Pierre Huyghe, Eija-Lisa Ahtila, Fiona Banner, Christoph Draeger, Douglas Gordon, Joachaim Koester, Julie Becker, Pierre Bismuth, Mark Lewis, Sharon Lockhard, and Christoph Girardet. Referencing famous films, using specific projection and filming techniques, and reflecting on the developed vocabulary of movies -- these artists are continuing to explore the intersection of popular culture and art begun by artists such as Andy Warhol, Ed Ruscha, and John Baldessari. This book contains extensive images and essays devoted to each artist, as well as two introductory pieces giving an overview of film in art.
video art --- multi-channel video installations --- Film --- Lewis, Mark --- Draeger, Christoph --- Lockhart, Sharon --- Banner, Fiona --- Girardet, Christoph --- Ahtila, Eija-Liisa --- Koester, Joachim --- Gordon, Douglas --- Bismuth, Pierre --- Becker, Julie --- Huyghe, Pierre --- 7.038 --- 791.41 --- 791.43 --- 791.45 --- Ahtila Eija-Liisa --- Banner Fiona --- Becker Julie --- Bismuth Pierre --- Draeger Christoph --- Girardet Christoph --- Gordon Douglas --- Huyghe Pierre --- Koester Joachim --- Lewis Mark --- Lockhart Sharon --- ed. Marente Bloemheuvel, Jaap Guldemond --- experimentele film --- film --- kunst en film --- video --- video-installaties --- 20e eeuw --- 700.4 --- Draeger, Christophe --- conceptuele kunst --- filmkunst --- videokunst --- beeldende kunst, musea - tentoonstellingen --- Art and motion pictures --- Art, Modern --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- Cinéma --- Art et cinéma. --- Films expérimentaux --- Art vidéo --- Esthétique. --- Cinéma --- Art et cinéma --- Art vidéo --- Esthétique
Choose an application
Une histoire ? Une théorie ? Oui, et parmi les plus complètes jamais publiées sur le cinéma expérimental en France et dans le monde. Mais bien plus : une éloge. Une histoire : des futuristes des années 10 et 20 aux cinéastes français des années 50-80, en passant par l 'underground nord-américain des années 60 ou le cinéma "structurel" des années 70. Autrement dit de Dziga Vertov à Teo Hernandez, via Jonas Mekas et Andy Warhol. Une théorie : Dominique Noguez, qui a particulièrement contribué à faire connaître ce cinéma en France, en propose une définition rigoureuse, fondée sur des critères esthétiques et économiques. Mais surtout un éloge : l 'écrivain prête la main au critique pour donner à ce livre érudit le relief du plaisir, de l 'humour et de l 'enthousiasme. (Extrait au 4/6/2004 du site internet : http://www.paris-experimental.asso.fr/publications/elogecine.html)
Cinema experimental --- Histoire du cinéma --- 20e siècle --- France --- Dominique Noguez --- film --- filmtheorie --- experimentele film --- filmgeschiedenis --- Frankrijk --- futurisme --- abstracte film --- Art Cinema --- filmgedichten --- absolute film --- McLaren Norman --- Kubelka Peter --- underground --- structuralisme --- poststructuralisme --- Anger Kenneth --- Smith Harry --- Markopoulos Gregory --- Mekas Jonas --- Snow Michael --- Warhol Andy --- Canada --- Groot-Brittannië --- Japan --- Duitsland --- O. Dore --- Nekes Werner --- Iimura Takahiko --- super 8 --- Matsumuto Toshio --- Oki Hiroyuki --- Lapoujade Robert --- Boltanski Christian --- Arrieta Alfo --- Bokanowski Christian --- Hanoun Marcel --- Hernandez Teo --- Klonaris Maria --- Thomadaki Katerina --- Marti Stéphane --- Nedjar Michel --- Castagnoli Gianni --- Dosse Christian --- Berger Mark --- Ungerleider Peter --- Lindon André --- Winzenstein Franz --- Broxkman Susan --- Aubergé Jean-Pascal --- Mignien Alain --- Okabé Michio --- Ando Kohei --- Glasmacher Dieter --- Rosenthal Kurt --- Dwoskin Stephen --- Morder Joseph --- Courant Gérard --- Lehman boris --- Raynal Jackie --- Sfikas Kostas --- Godard Claude --- 791.41 --- 791.43 --- Cinéma expérimental
Listing 1 - 10 of 10 |
Sort by
|